The
Tony Wight Gallery (formerly Bodybuilder and Sportsman) has been showing some very interesting work recently. On the heels of Ken Fandell's fascinating exhibition
Part II: Until It Doesn't Matter,
Isn't It, featuring works by Ivin Ballen, Pello Irazu, Richard Rezac, and Tamara Zahaykevich opens June 13. The work in the show focuses on the "interplay of material construction and representation...(by) confronting some potential disparities between modes of assembly and resemblance."
I am particularly excited by Pello Irazu's work. Irazu arranges and photographs generic, mass produced items such as boxes, chairs and ladders inside his studio and then paints onto the surface of his photographs. The paint resembles the utilitarian, unadorned shape and texture of cheap, mass produced building materials. I love the way the intertwined layers of production - sculpture to photograph to painting - comment on the interplay between physical object, photographic illusion and surface, but also have a parallel commentary on the physical and textural sensibilities of the construction of utilitarian objects and furniture. I can't wait to see the images in person!

Pello Irazu - La Fábrica (Belgrado) VIII, 2007
Acrylic paint on photographic support
And in case you missed it...

Ken Fandell - Part II: Until It Doesn't Matter, 2008
Installation View