& Allison Grant Blog

Sunday, September 23, 2007

Expanding Ideas

Daily Serving just posted a photograph by Korean Artist Myoung Ho Lee that is so cool!!!! I'm jealous.

I have been thinking about moving a landscape of sorts into the studio to see what it would look like. Myoung Ho Lee took the studio outside and removed the landscape that a tree sits in. Interesting stuff.

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Tuesday, September 11, 2007

The day the heat comes on.

Two nights ago my bedside radiator awoke from hibernation and began to whistle. As I listened to its moans and a cool autumn breeze ruffled my bed sheets, I was assured what I already know; summer is ending. Today was a bit warmer, so I walked down to the beach to smell the autumn wind. I was filled with an energy fueled by transition. I came home and read this poem.

September
By Robert Lowell

The much-hugged rag-doll is oozing cotton from her ruined figure.
Unforgetting September connot hide its peroxide curls of leaf.
Isn't it time to board up the summer house?
The carpenter's gavel pounds for new and naked roof-ribs.

The moment the sun rises, it disappears.
Last night the marsh by the swimming pool shivered with fever;
the last bell-flowers waste under the rheumatic dewdrop,
a dirty lilac stain souses the birches.

The woods are discomforted. The animals
head for the snow-stopped bear holes in the fairy tales;
behind the black park fences, tree trunks and pillars
form columns like a newspaper's death column.

The thinning birchwood has not ceased to water its color-
more and more watery, its once regal shade.
Summer keeps mumbling, "I am only a few months old.
A lifetime of looking back, what shall I do with it?

"I've so many mind-bruises, I should give up playing.
They are like birds in the bushes, mushrooms on the lawn.
Now we have begun to paper our horizon with them
to fog out each other's distance."

Stricken with polio, Summer, le roi soleil,
hears the gods' Homeric laughter from the dignitaries' box-
with the same agony, the country house
stares forward, hallucinated, at the road to metropolis.

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Saturday, September 8, 2007

Meeting Interesting Photographers

It is always a good day when you meet another photographer who makes interesting work. On Friday I had the opportunity to meet Alex Fradkin, a Columbia College Grad who's work I was unfamiliar with. The images below are from his "Bunkers: Ruins of War in a New American Landscape" project. These unused bunkers sit along the San Francisco coastline. They were constructed and have been updated over the corse of American history to be used against enemies that never actually materialized on American soil. Of the photographs, Fradkin says:

"Facing the endless horizon, each generation since the conquest of the West has waited in apprehension for the enemy that never came. Today, more than ever, the bunkers are considered ineffectual in this new age of unconventional warfare. The new threat of invasion is the less defensible menace of fear and paranoia. These ruins now inhabit the landscape as silent metaphors of our current national mood."





See more here under the project 1 tab.

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Sunday, September 2, 2007

Dan Perjovschi and other NYC experiences.

I have been meaning to post about my recent trip to NYC, but I have been really busy. Here are some of the interesting things I saw...finally.

I saw Dan Perjovschi's Projects 85 at MoMA and it was sweet! I also go to see Richard Serra's retrospective.

These store front windows at Macy's caught my eye at 34th st. and 7th ave. Interesting...

bath mats and towels

dishes shaped like tree leaves

Of all of the shows I saw, this was my favorite piece. It was made by Jin Jung as part of a shoe called "Meet by Accident" at Gallery space 35. I pulled this description from the shows website meetbyaccident.net

Inside the exhibited room, the viewer watches a film made up of passport photographs of 60 people, along with the viewer's face visualized simultaneously by the video camera placed in front. The viewer's face moves slowly on the screen with a time lag. The sound of film is a narration of 100 questions regarding nationality, which is based on documents of Korean and American visa. It is also recorded with 16 different computerized voices. The poster is made up of passport photographs of 60 people. This artwork focuses on the human identity regulated by the system, and on the fact that the title 'stranger' can be applied to ourselves as well as the foreigners.

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